Standing in the left-turn lane
- Shannon
- Jan 17, 2019
- 2 min read
Sonora, California has been one of my favorite places to shoot at night in the summer. The weather can be a perfect 75 even at 2am in the morning, there are countless older buildings and alleyways to explore, and the local drunks on weekday night are some of the friendliest there are! No sarcasm there either. Pretty much every person we encountered acted like we were their long lost best friend.
None of the places I intended to photograph made the cut. Either the lighting was non-existent, there were shiny new cars parked in the way, or the place just creeped my friend Bear and I out a little too much to stick around long enough to get a good shot. Exposures at night can take a lot of time and often need multiple shots to get it just right, and when it feels like there is something standing in the alleyway next to you staring you down, you move on quickly. I'm not saying Sonora is haunted for sure, but it is an old Gold Rush town with a very boisterous and animated history. I'll let you make the judgement call from there.
There was one building that as we walked past caught my eye. It had great detail and beautiful reds and greens that I was certain I could capture. Painted colors on buildings at night can be tough to capture since everything tends to take on the color of the light. I wanted... no NEEDED, to shoot this building! One problem. A big problem, even at 2am on a balmy summer weekday night. The building was at a three way intersection. On a highway. To shoot the building straight on as was my goal, I would need to stand in the left hand turn lane of Highway 49 as it merged onto the main road going through historic Sonora. I set the camera up as best I could, looked each direction and told Bear to keep a look out, and ran into the middle of the road with my camera and tripod. I didn't even look through the viewfinder, just set the exposure immediately and kept vigil on the roads around me for traffic. A couple of times thinking a car was coming my way, I ended the exposure and ran to the sidewalk. I shouldn't say run. I don't run. It was more like flailing like a duck with a bad wing and a soda ring around their foot. I'm not graceful at high speeds. This I am sure appeared comically delicious to the few onlookers sitting on the half wall by the motel a block down. I'm absolutely certain the local patrol officer who we had seen half a dozen times already that evening made that turn away from us with a big "nope!" going through his mind. I don't blame him. I hope he laughed at least. In the end I didn't quite get the shot I wanted for the series, but I did get a shot I liked. The shot I wanted I estimate I would have needed a good five minutes without traffic and no risk of having the poor police officer have to stop and have the "you realize you're standing in the left hand turn lane on a state highway" conversation.

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